CONSERVATIVE
New Forest East

DCMS – COPYRIGHT AND ARTIFICIAL INTELLIGENCE - 18 December 2024

DCMS – COPYRIGHT AND ARTIFICIAL INTELLIGENCE - 18 December 2024

Sir Julian Lewis: I am tempted to invite the Minister to consult the magnificent Taylor Swift who, apart from all her many other talents, has shown herself pretty shrewd when it comes to preserving the copyright of her material. He puts his finger on the key weakness in all this: no matter what sort of regime we set up, and no matter how many countries we try to get involved in this, surely it will only take one rogue jurisdiction to allow a machine to scrape from everybody else’s material? Then, the internet’s ability for everyone to access it will undermine the regime and, in that way, we face the danger that “Shake It Off” becomes “Rip It Off”.

[The Minister for Creative Industries, Arts and Tourism (Chris Bryant): I disagree. I saw the right hon. Gentleman nodding earlier when I was talking about not wanting to pull the rug from under the feet of UK AI adopters. The UK is in a very specific position. We have probably the best copyright laws of any country because of the specific way in which they developed. It is partly thanks to Hogarth, Dickens and many others over the years that we have ended up with strong copyright legislation. We also have a strong body of intellectual property in this country, which is enormously valuable, potentially, to AI operators. We stand in a very specific position. There is an argument that AI can be trained elsewhere, in another jurisdiction, but the moment it is brought into the UK, it still falls under UK legislation.

The right hon. Gentleman is also right about this. I did not consult Taylor Swift, but I did ask an AI company to come up with a song in the manner of Adele.

“Oh, I still feel you deep in my soul,

Even though you left me out here on my own.

The love we had it’s slipping through my hands,

But I can’t forget, I still don’t understand.

You’re gone, but your memory’s all I see,

And in the silence, it’s you haunting me” –

Madam Deputy Speaker. [Laughter.] It is sort of Adele, but it is not Adele. Does Adele know that her material has been used? Does her record label know that her lyrics have been used to create that? It is sort of in the territory, but it is not right. I think we can get this right in the UK and provide leadership to the world. That is what we should strive for.

Madam Deputy Speaker (Caroline Nokes): I will just make the point that I can see that this is very technical and complicated. It might require long answers, but I am not sure it required that level of input from not-Adele.]